Masterstudies and Master Reproductions

As an artist, I find that studying and reproducing the drawings and paintings of the masters is a valuable and traditional method of training. I am able to learn from the techniques and approaches of some of the greatest artists in history, and gain a deeper understanding of the principles of art and the creative process. The practice of copying is also essential for me to develop my imagination and to amass compositional ideas.

I tend to focus my studies on drawing rather than painting, as I find that in drawing, I can be closer to the original artist's intent. I can see the artist's thought process and how they iterated, especially when I can see the drawing and the original painting side by side. This approach allows me to understand how the artist developed their composition, the use of light and shadow, and the use of line and form.

It is important for me to note that reproducing the works of the masters is a powerful tool that allows me to connect with the artwork and understand the emotions, the message, and the techniques of the master. It not only improves my technical skills such as drawing, composition, and color theory, but it is also a way for me to study the style and the specific technique of the artist, such as the way of using the brush, paint, medium, and support.

In the end, reproducing the works of the masters can also be a form of artistic expression in its own right, as it allows an artist to put their own personal spin on a classic work of art. As it allows the artist to find the essence of the work and to capture the emotion and the message of the artwork.